- What: The Forever War
- Who: Joe Haldeman
- Pages: 365, soft cover
- Genres: Science fiction; classic literature
- Published: 1974
- The lit: of 5 flames
I’ve always said sci-fi wasn’t really my “thing.” I don’t gravitate toward it at the library. I don’t look for the best sci-fi lists. I just click with other genres better. Enter the picture: Kyle, my partner of three years (whaaat?) and a huge sci-fi nerd. When we started dating, he was reading a gargantuan from Stephen King about a virus that wipes out the world.
Yeah. Not quite my thing.
But it is Kyle’s. Apocalyptic warfare? Intense technological enhancements? Human-erasing bugs? That’s him. I’ve read exactly one sci-fi novel in our time together (Station Eleven, ). So it was only natural that when I closed the cover on Eleanor Oliphant a few weeks ago while sitting next to BF that he suggested I read one of his favorite sci-fi novels: The Forever War. I relented, but he reminded me how I always say I’m going to read one of his books and don’t (truth) and convinced me that the story’s undertones of the Vietnam War, in which the author served, would captivate me.
Ugh he knows me so well.
Fine. For BF, I will read sci-fi. The things you do for love.
Amid Kyle’s massive sci-fi collection.
Loneliness comes in many forms. It can be bestowed upon us by our peers, it can be a solace we seek, and it can also be all we’ve ever known. I’m a 26-year-old woman with a solid group of friends across the country, who’s in a happy three-year relationship, and who considers her family dear confidantes. Do I ever get lonely? Of course I do.
Nobody can evade loneliness, but author Gail Honeyman wrote to its all-consuming effects in her debut novel, Eleanor Oliphant is Completely Fine. She told British bookstore Foyles that the idea for her debut novel came to her after reading an article about loneliness.
“When I thought more about it, I realised that there were plenty of potential routes to a young person finding themselves in those circumstances, through no fault of their own, and how hard it can be, at any age, to forge meaningful connections.”
Honeyman’s approach isn’t all somber and sympathy though. Just as the title suggests, the main character is just fine; it’s not her that is different. It’s everyone else and the social norms that confine them that are mind-boggling. (Read Eleanor’s opinion of wedding registries, and you won’t disagree.) What Honeyman gives us is a beautiful novel that’s equal parts hilarious and heartbreaking, something that evokes laughter while you simultaneously reach for a box of tissues.
Thanks for the inspo, Idea Coffee NYC.
A friend of a friend (this is already so on par with the subject) told me that if you hadn’t read Crazy Rich Asians, don’t wait to do so before seeing the movie. The whole “it’s not like the book thing!” will sway your opinion of the movie. Well, I have one thing to say about that.
If you haven’t read my review of Kevin Kwan’s bestseller, 1.) what are you waiting for? and 2.) you should know I love this book. It was easily five flames. Naturally, that gave me mixed feelings about seeing the movie. Books are always better than the movies they inspire (The Notebook being the only exception); even though I know this, I never want to leave a theater being let down.
Lucky for me, Crazy Rich Asians met my expectations on the silver screen; so much so that I would also say the movie is completely lit. But was it better than the book? Let’s find out as I take CRA toe to toe: book versus movie.
Reading about a life you don’t lead can be pure pleasure. That’s the main reason Kevin Kwan’s Crazy Rich Asians series is so intoxicating. When you don’t own a private jet with a movie theater, botanical garden, koi pond, and a karaoke lounge, you get a certain thrill pretending you could do so in another life. When you live in a 400-sq.-ft. apartment without dozens of reflecting pools, you’d gladly be swept away to where and how the other half (OK maybe the 0.5%) lives.
This escape and the hilarity that accompanies it are why we fell for the the first in this trilogy. The sequel, China Rich Girlfriend, amps up the drama to match the extravagance of the characters’ lives, yet the spectacle is a bit far-fetched. Is it possible for so many ridiculous moments to occur in lives that are almost unbelievably luxurious? To be fair, I mostly enjoyed Kwan’s second novel, but I’m choosing to be a tough critic here, and in comparison to Crazy Rich Asians, China Rich Girlfriend felt too unrealistic to really light me up.
- What: To Kill a Mockingbird
- Who: Harper Lee
- Pages: 376, small soft cover
- Genre: Classic literature
- Published: 1960
- The lit: of 5 flames
To Kill a Mockingbird is the first book reviewed in a new Big Little Literature series, Storied, a personal initiative to read the greatest books in American literature.
PBS’ The Great American Read had me regretting never experiencing so many magical pieces of American literature. One of those was not only so far ahead of its time but is also — and sadly — still relevant in today’s society. To Kill a Mockingbird took me back to being eight years old, the same age as its main character, Scout, and on a deeper level, it was a reminder that we still have a long way to go in accepting others and being more loving. It also proved that genuine souls are around us everywhere we go. They’re just too humble to announce it.
You know the ole saying, “[Insert model name] could make a potato sack look good.” The same thing applies to literature. The oddest and most boring plots can be sexy if they’re accompanied by solid writing. The opposite is also true though, and the sexiest ideas can come across as “meh” when coupled with inadequate writing.
That’s where Michelle Miller’s mix of Silicon Valley and Wall Street has a problem. The Underwriting has a certain seduction that powers you to the finish (despite a painfully slow start) because there is so much talk (as well as the act and thinking) of sex, as well as a lot of cash money. But something’s amiss. The writing lacks vigor that’s a disappointment to a rather interesting and original plot and some provocative topics.
We all know wine gets better with age. Emily Giffin’s following that mantra. Don’t get me wrong, the OG, Something Borrowed, still ranks high on my list of Giffin greats, but there’s no denying that her writing has become more skilled — and her themes deeper — over time. Her newest novel, All We Ever Wanted, illustrates that point, and it’s something she echoed in a Q&A on June 26 to celebrate the release of her new book (also the place where I committed some massive fangirling while meeting her).
In her latest, Giffin tackles the most pressing matters that families face in today’s world. By broaching issues such as rape, sexual assault, social media, technology, etc., she demonstrates that they’re all related and can exacerbate one another. All We Ever Wanted gives us a world where everyone carefully documents their lives through a lens, aka 2018, and where that can have detrimental consequences.