My love for Jasmine Guillory has been well-documented. (It may even exceed that of which I have for Emily Giffin at this point.) In my three previous reviews of Guillory greats, I’ve praised her female characters who have needs, are not afraid to have those needs met, and are multi-dimensional. She gives us real people with real problems rather than characters who society deems worthy of literature. You know who I’m talking about: the quiet, demure, modest, and white gals.
In her writing, Guillory seems to protest every wrong notion about women, and her fourth novel, Royal Holiday, is no different. Once again, Guillory gives us characters and a love affair not promoted enough in literature, especially chick lit: that of the middle-age love story. Sometimes it feels like in pop culture, we’re expected to no longer have wants and needs after marriage and children and once we reach the “ancient” age of 40. Hollywood, for example, has been criticized for years for its apparent ageism and sexism, though many female actresses have spoken up with eventual change hopefully on the horizon.
I don’t know how Guillory manages to fight a different female stereotype in every single book she writes, but I know she’ll keep doing it. And as someone who’s dreading turning 30 in less than 12 months (ridiculous, I know), she definitely puts me at ease with what’s to come in the next few decades.
When I first moved from Missouri to the northeast, I lived “right on the edge of Prospect Heights and Crown Heights” in Brooklyn, as I would tell people. If you look at a map, my first apartment lies not even a half a block from the imaginary line separating the two neighborhoods, so it makes sense that I would describe my apartment’s location that way, but if I’m honest, there was another reason why I felt the need to define my address.
I knew very little about Brooklyn when I moved here, so I didn’t know which neighborhoods were “bad” versus “good.” It didn’t take long, though, to figure out what those two adjectives actually meant. I also learned quickly that Crown Heights had a reputation for getting “worse” the further into the neighborhood you went — i.e., the further away from Prospect Heights, which was a very wealthy and a very white neighborhood. So even though geography was on my side, so was my racism when I told people I lived on the edge of those two neighborhoods. I’m ashamed to say it, and books like When No One is Watching reflect that attitude directly in my face.
This thriller written by a Black woman, who we do not see promoted enough in this genre, may seem like an extreme version of gentrification, but with the rate Black people get displaced in the cities white people originally fled, it’s not far off. Gentrification benefitted me by giving me a sense of safety — which was of course steeped in the racist lies others told me and that I told myself. So I did a lot of self-reflection while reading this one — as well as trying to calm my nerves, which were extremely frayed by the end.
Immigration is a political and social issue whose solutions have always seemed nebulous to me. It’s immensely complex, and I admit I’ve done little research to understand its intricacies. But from the surface and from a few immigrant friends, I know a few, very general things. First, it’s very hard to obtain citizenship in the U.S. Second, and contradictory to my first point, it’s just as hard to maintain any type of visa. Lastly, and most importantly, the way we treat immigrants — be that through policy or social interaction — is incredibly inhumane, leading to the “othering” effect with unhealthy stereotypes.
The odd thing is that people who set and maintain devastating policies or who speak such harmful words about immigrants likely have never talked to an immigrant — documented or undocumented — to understand their struggle and the heartbreak that led them to pursue the illusive American Dream. This point illustrates how storytelling — or qualitative data if you will — is just as or even more important than statistics and how storytelling can shape our morals and beliefs. Stories like Patsy are integral for our society to progress and for us becoming a little more compassionate.
Patsy tells a story that few of us probably know but one that exists all too frequently, that of the undocumented immigrant. The eponymous main character gives up her heartbreaking and unfair life in Jamaica for love and freedom in the States only to be deceived by those who promised her so much — including Americans and their precious ideals.
If you’re not a Lady Who Lunches, I highly recommend giving it a shot; my own LWL girlfriends have been saviors over the years. I’ve been close friends with Dana, Hilary, Katie, and Kelliann since I moved to New York. We’ve all worked for the same finance company at different points and have enjoyed many lunches, happy hours, and dinners in the Financial District. We are definitely “well-off, well-dressed women who meet for social luncheons, usually during the working week,” though we do still work … even if we spend the majority of our work days chatting one another. A year ago, we started Friday virtual lunches together so we could still see each other and to ease our anxiety about the pandemic. These weekly gatherings were often weekly highlights.
While I read Gabrielle Union’s book, I couldn’t help but think she was gathering with my LWL gang over bottles of wine and numerous cheese plates. That companionship usually didn’t stem from the stories themselves because she’s had such different experiences than any of us have had, especially because she’s a Black woman who’s dealt with so many degrees of racism. It was her writing, which felt so honest, blunt, relatable, and humorous.
Union likely intended for her readers to feel like she was their newest BFF waiting with a drink in hand; the title itself alludes to those long-gone happy hours where the drinks keep pouring. *Oh memories.* The writing certainly lives up to the title’s promises.
All this time at home has given me ample opportunity to think in the past year — probably to my detriment. One thing I can’t help thinking about it is how much I’d love to move to another country — literally any country — to avoid the racism, xenophobia, and ultra-conservative viewpoints in the U.S. I know running away doesn’t fix problems; it just puts them further at bay. And deep down, I know no country is perfect, and every place has its own set of issues. It’s just been so upsetting to see how much our country has reversed in the last five years that it’s easy to think the grass is always greener.
That idea came to me while reading A Burning but probably not for the reason you’d expect. This contemporary fiction book, which takes place in India, certainly demonstrates that no place is perfect. But it made me wonder what someone in another country might think of America, especially after the year we’ve had. I can’t imagine it’s anything too positive. Furthermore, by viewing the parallels with a country we often deem inferior (hell, we deem every country inferior), I was reminded that the ideals the U.S. loves to cling to are shadowed in hypocrisy. I doubt that was author Megha Majumdar’s intention, but it certainly struck a chord, which all great books do.
I admit that I’m pretty impressionable — or at least I thought I was before writing this review. I just googled “impressionable” to make sure I had the definition right, and it defines an impressionable person as someone who is “easily influenced because of a lack of critical ability.” Hey now. I have critical ability. Don’t I?
I guess my point is that I can have strong opinions, especially toward books, music, movies, and TV, but if someone strongly opines in a different way, I can generally be persuaded. I kept this characteristic in mind when I started Ender’s Game. I promised at the beginning of the year that I would try at least two science fiction novels this year. When I asked Kyle — the biggest sci-fi fan I know — to recommend me a book, he chose Ender’s Game and added that it’s one of the premiere books in the genre. Clearly, he loved this book; I needed to recognize his influential opinion so that my own wouldn’t be swayed from the get-go.
I was pretty good about sticking to my opinion throughout the book, but I teetered on a final rating once I finished it. A few days later, Kyle and I had a virtual date night with two friends who brought up the movie version organically. I told them I just finished the novel, and they both started raving about how much they loved the book. As they praised it, I could feel my own opinion changing. Was I misremembering my experience with the novel? Did I enjoy and appreciate it more than what my mind had been telling me? Was I about to be persuaded again? I ruminated over it for a few days before writing this post so that my mind was clear before making a firm decision. I wanted this review to be 100% my own; it would not be influenced by others’ opinions. Although a teeny tiny part of me is still flip-flopping, let me demonstrate my critical ability that led me to my unpopular and average opinion.
I used to be a sucker for the romcom and the romdram. Is that a genre? If not, it should be. The Notebook, Titanic, 27 Dresses, P.S. I Love You, The Wedding Date, 500 Days of Summer, and SO many more filled the days of my youth. (Nora Ephron classics came later in life). I used to peruse the $5 movies at Target looking for any and every cliché romantic movie I could find. In fact, I used to go to Target on Black Friday specifically for this reason and not to buy Christmas presents for other people. I have no shame.
Somewhere along the line, though, I fell out of love with fictional tales that focused on cliché love itself. Maybe it was maturity. Maybe it was a reality check. But now, I can barely sit through five minutes of The Notebook.
*Please do not discount the gravity of this sentence. I used to watch The Notebook or Titanic (or both) every week.*
Every now and then, however — usually when the going gets tough — I crave a little cliché romance. I’m not talking chick lit; I mean pure romance and cliché. Enter: Waiting for Tom Hanks, the novel dedicated to the romcom genre that I have long since avoided. My friend Kelliann sent me this book after a rough week but warned that it was pure fluff and to not have high literary expectations; just be prepared for an escape. A welcome escape was exactly what I got, but did the fluff go too far?
Do you ever feel like a book has it all? Hardly ever. It’s a challenge to find a book that engages you; perfectly utilizes a plethora of literary devices; has poetic writing without seeming over the top or losing you; tells a really good story; and has powerful themes. When you do come across this rare occurrence, you have to pause and think, “Wow. I loved every part of that book.”
Well, I guess you could say 2021 is off to a great start because I’ve already found a book that has everything. And I finished it only 16 days into the year. That greatness came in the form of Marcus Zusak’s historical fiction novel, The Book Thief, which Kyle had — for good reason — been recommending to me for awhile.
I’d be remiss if I didn’t also tell you that this novel somehow made me both laugh and cry. I don’t know how Zusak accomplished so much in 500 pages, but I’m sure glad he did.
I have two favorite literary qualities I seek when I read a book or article: voice and characterization. You’ve read many a post where I either praise a book for having one of these qualities (here’s one for voice and another for characterization), and you’ve certainly seen me complain about the lack of them on more than one occasion.
Voice not only keeps you engaged in a book, but it also allows you to better understand the characters, making it an integral part of characterization, which is such an important quality. Without it, readers cannot fully see who these people are and why and how that motivates their actions. When a book has strong voice and characterization, and its main characters’ experiences completely differ from your own, that’s when empathy, understanding, and — most importantly — change occur.
That was the experience I had with The Kiss Quotient, whose main character, Stella, has Asperger syndrome. Not only was this book funny and sweet, but author Helen Hoang’s portrayal of Stella was so strong that I found myself in awe of the social struggles that someone with Asperger’s endures, which I had only ever experienced from a very far distance before this book. Stella’s story — and the author’s too — is one I’ve never personally witnessed, and I’ve never read about it in a fictional setting either. Hoang puts you face to face with it. By placing me directly inside Stella’s mind, which enhanced the book’s voice, I could feel everything she felt every single day — no matter how difficult.