No, You Can’t Disguise

  • What: Tell Me Lies
  • Who: Carola Lovering
  • Pages: 384 pages, hard cover
  • Genre: Contemporary fiction
  • Published: 2018
  • The lit: 1463390917-2400px1463390917-2400px1463390917-2400px of 5 flames

C’mon, this book takes its title from a Fleetwood Mac song. How could I not be drawn to this?

Most women have that one guy in their past. You know the one. Most likely, but not always, a cliché bad boy. Someone who drove you crazy in both good and bad ways. The one who took a long time to get over. The one who still pops up in your memory every now and then.

Well, that drama, of which we all have a relatable anecdote, is the subject of Carola Lovering’s debut novel. Because it’s a story we all know, it’s a story that can be challenging to tell. How can you write this dilemma in a way that feels fresh yet relatable? Lovering sort of accomplishes this in her sexy book, but the ways that make it feel new are also the ways that make it incredibly frustrating.

Tell Me Lies

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Heaven Can’t Help Me Now

  • What: The Great Alone
  • Who: Kristin Hannah
  • Pages: 438 pages, hard cover
  • Genres: Contemporary fiction and historical fiction
  • Published: 2018
  • The lit: 1463390917-2400px1463390917-2400px of 5 flames

I’m a sucker for scenery. It’s true. As much as I love stories about human interaction and purpose, there’s something so refreshing about reading poetic lines that perfectly depict the alluring lost corners of this world and how people connect with them.

I also crave new storylines. Don’t get me wrong: I will never scoff at boy-meets-girl and happily-ever-after plots. But my mind desires something different too. Something that allows me to explore topics and places I never thought about before or personally experienced.

For these reasons, I’ve been intrigued by Kristin Hannah’s The Great Alone since it was published in early 2018. In short, it’s a story about a family that moves to Alaska to live off the land. Check out my library, and you won’t see many titles with similar summaries. I couldn’t wait to get lost in it on my trip to Africa (now that was a solid 10 flames); unfortunately, I didn’t willingly escape to another world. Instead, I couldn’t find my way out of a book that dragged on, had random and too many plot twists, and dramatized to the nth degree.

The Great Alone

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Eye of the Tiger

My Instagram bio reads “Book blogger | Sports enthusiast and cat lover | Travel addict | #MizzouMade.” Basically, I was destined to read Gary Pinkel’s autobiography. After all, this is the man who led the Mizzou football program that created that very hashtag in my bio.

Some of my best college memories stem from football games at the ZOU — and I don’t just mean from the pregame. I really got into games, sometimes so much so that my moods directly correlated to the team’s success. And even though I no longer live in Missouri, I still try to follow the team as much as possible.

While reading his book, I was excited to relive some of those memories through Coach Pinkel’s perspective. I also loved reading about his personal journey long before he moved to Columbia, Mo. and became the winningest coach in university history. However, I couldn’t help wondering if I enjoyed his book simply because of the nostalgia it gave me. On deeper reflection, The 100-Yard Journey didn’t contain the best writing; it certainly won’t win any awards. Maybe this is a book only Mizzou and/or football fans can truly enjoy. Well so be it.

I’ve always said good books can transport you to another place and time. When they take you back to a fun and important time in your personal life, they get bonus points — even if the book itself doesn’t blow you away.

Gary Pinkel

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In and Out of Love with You

One of my New Year’s resolutions was to read more thrillers, and I’m making good on that promise. In fact, three of the last four books, including my most recent, could fall into this category. I love a good thriller or mystery because of how they intensify your emotions and captivate you. My Husband’s Wife had all of those elements. I finished the book in a week — though I admit I started reading it a few months ago but put it on hold for another attention-grabber. Once I started again, I experienced more than one night when I would tell myself “one more chapter” about five times. It kept me on my toes with its twists and turns and heightened my senses.

You’re probably wondering why, if this was a book I couldn’t put down, I only assigned it three flames? I know, that sounds like four- or five-flame material. Although I mostly enjoyed reading this book, it had a few head-scratching qualities that brought down its overall rating. If you’re looking for a quick, mysterious read, this is a solid book. Sometimes that’s exactly what we want, especially during the summer. But if you’re looking for that plus some brilliant writing and stunning plots from start to finish, you might want to keep searching.

My Husband's Wife

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A Secret to Hide

I try to title every review after a pop culture reference — usually song lyrics — some of which are more obvious than others. The minute I finished Where the Crawdads Sing I knew I’d be choosing a song by one of two badass women: Martina McBride or Carrie Underwood. Both women are known for singing songs about wronged women who are often misunderstood and who take control of their destiny. Main character Kya Clark, aka the “Marsh Girl,” would be the perfect muse for a McBride or Underwood hit.

The Marsh Girl is the epitome of what happens when judgment innate in humans runs rampant. Author Delia Owens captures this societal flaw beautifully in her story that is still sitting pretty on the New York Times best seller list. That’s 38 weeks, people. Not too shabby. It’s easy to understand why when you read the lyrical ways Owens describes nature, specifically the marsh; the plight of a young girl who only ever yearned for some company; and how our judgments really could ruin someone’s life. Owens captures it all in this coming-of-age meets whodunit tale.

Where the Crawdads Sing

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The Best Day with You

Moms are the world’s real-life heroes. I know my mom holds that title, and I’m grateful every day for this wonderful human who brought me into the world and who taught me every thing I know. So it’s only fitting that the day before I left for a Bostonian expedition with my mother, my new e-reader — yes, I finally caved and bought one — suggested The Red Coat: A Novel of Boston, a book where one mom’s power is a central character.

The book has its flaws, but there’s something sweet and special about it too. In summary, it’s a story about young women trying to navigate this tricky world of love, life, and death with the guiding hand of their own mother. And it proves that their influence and presence are felt long after they leave us. It’s a story line we can somehow all relate to.

The Red Coat

Source: Barnes and Noble.

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Storied: Dark and All Too Quiet

When bright-eyed 18-year-old me started journalism school in 2010, I had zero idea of what kind of magazine journalist I wanted to be. I never really envisioned what writing for a magazine actually looked like. It could have been sports, travel, or anything, though for the world’s sake, probably not makeup or fashion; it didn’t matter as long as I was writing.

Then I took my advanced writing capstone with a truly talented professor and writer (thanks for everything, Dr. Hinnant!), and I realized my future belonged to long-form, which I didn’t even know was a thing until the first day of that class. I became enthralled by the works of Jennifer Gonnerman, Tom Junod, Anne Fadiman, and Robert Sanchez (#humblebrag: I actually interned at the same magazine as the latter). I didn’t just admire them; I wanted to be them.

OK fast forward six years, and that clearly didn’t happen. I’ve never forgotten the impact it had — and still continues to have — on my life though. I still love reading long-form and still appreciate all the time and effort that goes into turning real-life events into the most-fascinating stories about the human experience. It’s why I can now add one more name to that list above: Truman Capote.

In Cold Blood sits on a certain pedestal and rightfully so. Capote clearly defines everything I love about long-form in this book: the details, the emotions, the power to force us into uncomfortable but necessary gray areas, and *swoon* the storytelling. His craft is unmatched, and it’s no wonder that this book is often considered quintessential long-form journalism — even if its journalistic integrity has been called into question a time or two.

In Cold Blood

Source: Kyle Magee.

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