This blog loves Jojo Moyes. She first captured my attention four years ago when she created the great Louisa Clark in Me Before You. Three books and one movie later thanks to this lovely character and her series, and I was convinced that anything Moyes wrote would be my type of novel.
Her latest, The Giver of Stars, steers from her traditional style in all ways except one: strong female characters. Moyes’ 2019 novel gives us not one but an entire group of powerful women who go after what they want. But what about all the other ways, including the cover art, this novel varies from the Moyes’ literature that made her so popular? When authors stray from what defines them, it’s certainly a risk. Did the risk pay off in this instance?
America loves its Friday nights on the gridiron. Small towns showing up to the stands in droves as they cheer on their teams of young boys with big dreams. It’s quintessential Americana. It loves it so much that, when a nonfiction book was published about it (along with many other sociological themes) in 1989, a movie by the same name premiered 15 years later and a TV show two years after that. They both starred the great Connie Britton, so you know they have reach and power.
Yes, Friday Night Lights and everything it represents and demonstrates has become ingrained in American culture. Clearly, we’re all a little obsessed with high school football. But with three types of media focused on this theme, which one does Big Little Literature love most?
Although I’ve also watched the television series, that was five years ago, and my memory necessitates more time to relive the show than the movie. So we’re going to narrow our focus a bit. Friday Night Lights, it’s time to go toe to toe: book versus movie.
Source: Mary Steffens
Source: Rotten Tomatoes
I very distinctly remember a Friday night when I was 11 years old like it was yesterday. The cross-town rival was playing my sister’s high school’s football team on a rainy, dreary, and cold night in late fall. I went to the game with my dad and brother, and we along with my sister had been talking up this game all week. This was the year Herculaneum High School was going to beat the Festus Tigers under those Friday night lights.
Due to the nasty weather, the game was delayed. My father, trying to be a responsible parent, said we should leave after waiting for what felt like hours for it to begin. Dressed in ponchos yet still drenched, we reached the parking lot when we heard buzzers and beeps announcing that play would begin. The three of us looked at each other, smiled, and said, “Let’s do it!” We ran back to the bleachers to watch the Blackcats pounce the Tigers. I didn’t go to either school but could still feel the excitement wash over me as the rain poured down and the ‘cats clenched the W.
The year was 2003, and I was obsessed with Blackcat football and all of the “hot” players on the team that year. I seriously wrote their names on my notebook as if someday I would have a chance with one of them. (Trust me, I too laugh at this now.) But these types of memories are the ones that build up football programs with an urgency, power, and nostalgia that other sports and other aspects of small-time life just cannot compete with. And this was with small schools in the Midwest. Can you imagine the fervor if it belonged in a West Texas community? You don’t have to because H.G. Bissinger gives us exactly that in one of the best sports books ever written: Friday Night Lights.
It’s been a weird year. With a lot of lows and a lot of highs, sometimes I didn’t know how to feel. But one thing that constantly kept me excited, intrigued, and motivated? Literature. Ahh yes, my best friend that has never and will never let me down. In 2019, I read 31 books (the review for #31 will be posted in the new year).
I raved about many of them and stated how interesting they were and how difficult it was to put them down; others were less so. But where do they compare with one another? You’re about to find out.
2019 books, let’s get you ranked.
I don’t know if I’ve ever been disillusioned by the idea of the American Dream. I never really thought the U.S. of A was the absolute best place to live in the world and that, by being within its borders, my life had infinite possibilities. And the idea of buying a home with a picket fence — something often connected to the American Dream — surely has never been at the top of my priority list.
I have, though, been obsessed with finding that dream job. As a teenager and in college, I fully expected to work my ass off in my 20s in a dream industry to lead me to the ultimate dream job. My life would be fulfilled and have meaning. I’m no longer obsessed with this idea. Now, I fully believe in the dream of loving every second of your life and the very place you call home.
To me, the ideals of the American Dream and that of the dream job are very similar — the latter being the more-modern version of the former. And it’s these concepts that form Imbolo Mbue’s Behold the Dreamers, a story of immigrants who put their full hope and faith into the American system only to be crushed by its many injustices. It’s distressing and heartbreaking and will make you question the validity behind your values. Yeah. It’s a lot.
- What: The Dutch House
- Who: Ann Patchett
- Pages: 337, hard cover
- Genres: Historical fiction and family drama
- Published: 2019
- The lit: of 5 flame
Some writers are so subtle in their greatness that it can be tough to describe why you like their writing and novels so much. After I read Ann Patchett’s Commonwealth three years ago, I knew it was my favorite book, but I couldn’t initially pinpoint why. And isn’t that a sign of a great writer? We want their abilities to work so well together that you can’t separate them piece by piece. We want them to create a conglomeration of greatness and to close the book saying, “Ahh now that’s a good one.”
Ann Patchett has done that again with her latest novel, The Dutch House.
This one didn’t take long for me to finish reading because I enjoyed it so much — just like Commonwealth. The difference between this one and the first book she gifted to me? This time I analyzed the crap out of her writing, so I can tell you — my faithful fans — why I love Patchett’s novels so much. Trust me: You’ll want to read the total fangirling that’s about to hit this page.
I’ve always proclaimed one of the best things about literature is its ability to tell hidden or disgraced stories and to open our eyes to dark corners of the world. It saddens me — though I’m grateful it happened — that literature taught me about the AIDS crisis of the ’80s. Shouldn’t I have learned more about this growing up and in school? Honestly, my ignorance as a 27-year-old astonishes me.
Did I fully understand the power and effects of this catastrophe in the 80s? How it ripped through a community and denounced a way of life all over again? How it took us five steps back on our way toward social justice? How the scars of those it affected live prominently for the rest of their lives?
I never understood any of this until Tell the Wolves I’m Home came into my life. It was reinforced and explained through different perspectives with The Great Believers just a few weeks ago. As a kid, my history classes either conveniently glazed over this time in American history, or the school year conveniently ended before we made it this far in America’s story. Fortunately, we have authors, such as Carol Rifka Brunt and Rebecca Makkai, who refuse to let these tragedies go untold.