Nobody could have predicted where 2020 would take us or, rather, not take us. All this time at home, though, hasn’t been all bad, and books were — once again — a constant companion. I’m incredibly thankful for the characters who became friends and the narratives that granted me an escape, and of course, I’m forever grateful for the authors whose creative minds told stories and enabled my imagination.
But let’s get down to the nitty gritty and see how all 30 books rank for me in the year 2020 (with my super cool artwork I created on Canva).
The most popular books can make me a bit weary before I read them. I don’t have the best track record, you see. Normal People, which dominated the first half of 2020 both in written word and on TV, left me depressed and confused. Last year, I dived into three critically acclaimed novels — Queenie, Tell Me Lies, and The Female Persuasion — that, while I didn’t dislike them, left me unfulfilled. Even when I read The Overstory, which I rated four flames, I didn’t see quite what the critics did. Then I have books like City of Girls, the kind that completely enrapture me but some have called boring and bland.
Why can’t I connect with literature that means so much to critics and fans alike? Is this a me problem or a them problem?
So I did wonder if Brit Bennett’s The Vanishing Half would live up to all the hype. This one will surely be on all of the “Best of 2020” lists and win many awards (if it hasn’t already) because it’s already received so much praise since releasing in June. Given that I’d read her debut novel, The Mothers, and completely loved it, I had confidence that this wasn’t just a book I’d obsess over. This would also be a novel that the U.S. — with its systemic racism and struggle with identity — desperately needed and needed ASAP.
Thankfully, Bennett washed away any and all doubts about it living up to the hype. And I can’t wait to see it on all those lists and with all of those nominations at the end of this year.
Let me start by saying diversity and literature go hand in hand.
- Diversity is the foundation to learn new perspectives from literature.
- Literature proves the value and necessity of diversity.
We are coming full circle here, people.
Diversity wasn’t really part of my upbringing, though. I grew up in a mostly white community and knew very few people who looked or lived differently than I did. I don’t even remember talking to a person of color until high school. Even then, my school was mostly white kids. On top of that, I barely knew any non-Christians or non-straight people. I definitely didn’t know anyone from the trans community.
That changed a bit when I went to college. I was definitely one of those people, though, who had one or two black friends and thought that made me an ally and not racist. I would even say that out loud. “Oh she’s my black friend.” And I shamefully remember commenting once that one of these women didn’t “act black.” I’m embarrassed now to write that and of my 20-year-old self, and I feel immense guilt.
Thank God for growth, for New York, and for literature.