Ranked: Reads in 2019

It’s been a weird year. With a lot of lows and a lot of highs, sometimes I didn’t know how to feel. But one thing that constantly kept me excited, intrigued, and motivated? Literature. Ahh yes, my best friend that has never and will never let me down. In 2019, I read 31 books (the review for #31 will be posted in the new year).

I raved about many of them and stated how interesting they were and how difficult it was to put them down; others were less so. But where do they compare with one another? You’re about to find out.

2019 books, let’s get you ranked.

2019 Books

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Storied: Dark and All Too Quiet

When bright-eyed 18-year-old me started journalism school in 2010, I had zero idea of what kind of magazine journalist I wanted to be. I never really envisioned what writing for a magazine actually looked like. It could have been sports, travel, or anything, though for the world’s sake, probably not makeup or fashion; it didn’t matter as long as I was writing.

Then I took my advanced writing capstone with a truly talented professor and writer (thanks for everything, Dr. Hinnant!), and I realized my future belonged to long-form, which I didn’t even know was a thing until the first day of that class. I became enthralled by the works of Jennifer Gonnerman, Tom Junod, Anne Fadiman, and Robert Sanchez (#humblebrag: I actually interned at the same magazine as the latter). I didn’t just admire them; I wanted to be them.

OK fast forward six years, and that clearly didn’t happen. I’ve never forgotten the impact it had — and still continues to have — on my life though. I still love reading long-form and still appreciate all the time and effort that goes into turning real-life events into the most-fascinating stories about the human experience. It’s why I can now add one more name to that list above: Truman Capote.

In Cold Blood sits on a certain pedestal and rightfully so. Capote clearly defines everything I love about long-form in this book: the details, the emotions, the power to force us into uncomfortable but necessary gray areas, and *swoon* the storytelling. His craft is unmatched, and it’s no wonder that this book is often considered quintessential long-form journalism — even if its journalistic integrity has been called into question a time or two.

In Cold Blood

Source: Kyle Magee.

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